ANDREW NORMAN WILSON

EDUCATION

School of the Art Institute of Chicago
            Master of Fine Arts 2011
Syracuse University, Newhouse School of Communications
            BS in Television, Radio and Film 2006

SOLO AND TWO-PERSON EXHIBITIONS

2016   Ode to Seekers 2012, Document - Chicago, Illinois
2015   Artificial Selection, Rowing - London, England
            Artificial Selection, Plymouth Rock - Zurich, Switzerland
            Starcom Mediavest, Leo Burnett Building - Chicago, Illinois
            Wether, Chapter NY - New York, New York
2014   SONE, Project Native Informant - London, England
            Conference Call in the Waiting Room, Greene Exhibitions - Los Angeles, California
            Material Uncertainty, Fluxia - Milan, Italy
2013   The Refrain: Medfield/Walpole, threewalls - Chicago, Illinois
            Movement Materials and What We Can Do, tenstakonsthall.se (online), Tensta Konsthall - Stockholm, Sweden
2012   ScanOps, Document - Chicago, Illinois
            ScanOps, Art Metropole - Toronto, Ontario
            Workers Leaving the Googleplex/ScanOps - Reed College - Portland, Oregon
2011   Windows and Mirrors, New Capital - Chicago, Illinois
            Appendix Space - Portland, Oregon
            Workers Leaving the Googleplex, LG Space - Chicago, Illinois
            Virtual Assistance, Extra Extra Gallery - Philadelphia, Pennsylvania

SELECT SCREENINGS AND FESTIVALS

2017   Uncertainty Seminars, Stroom Den Haag - Den Haag, Netherlands
            Sekula Beyond Sekula, Thyssen-Bornemisza Art Contemporary - Vienna, Austria
            Alternative Cinema: Andrew Norman Wilson, Colgate University - Hamilton, New York
            Ann Arbor Film Festival - Ann Arbor, Michigan
            Royal Anthropological Institute Film Festival, Cube Cinema - Bristol, England
2016   Double Feature, Schirn Kunsthalle - Frankfurt Germany
            Storytime with Andrew Norman Wilson, Kunstlerhaus Stuttgart/ Theater Rampe - Stuttgart, Germany
            e-flux journal series, REDCAT - Los Angeles, California
            Andrew Norman Wilson - CaroSposo, Cinémathèque Robert-Lynen - Paris, France
            Metropolitan Cosmopolitan, 83 Pitt Street - New York, New York
            New Feelings, Opening Times at the Material Art Fair - Mexico City, Mexico
            Marketplace for Creativity, Yerba Beuna Center for the Arts - San Francisco, California
            The Artist Leaving the Googleplex, Microlights Cinema - Milwaukee, Wisconsin
            A Night with Andrew Norman Wilson, Shanaynay - Paris, France
2015   Hyperlinks, Center for Contemporary Art - Tel Aviv, Israel
            Spooky at a Distance, The Green Gallery West - Milwaukee, Wisconsin
            Les Rencontres Internationales, Haus der Kulturen der Welt - Berlin, Germany
            Image Employment, Lodos - Mexico City, Mexico
2014   Projections, New York Film Festival - New York, New York
            #VOICEOVER, Palais de Tokyo - Paris, France / KALEIDOSCOPE Project Space - Milan, Italy
            Prospectif Cinema, Centre Pompidou - Paris, France
            Three Things for Two Things, The Hammer Museum - Los Angeles, California
            Movement Materials and What We Can Do, Digital Labor Conference, The New School - New York, New York
            Les Rencontres Internationales, Gaîté Lyrique - Paris, France
            MILLENNIUM FILM JOURNAL AT 35, Anthology Film Archives - New York, New York
            Dream Factory, Museum of Contemporary Art Sydney and Minerva - Sydney, Australia
            Barriers to Entry, Chicago Filmmakers - Chicago, Illinois
2013   Movement Materials and What We Can Do, Universität der Künste Berlin - Berlin, Germany
            Movement Materials and What We Can Do, Photographers Gallery - London, England
            Movement Materials and What We Can Do, Haus der Kulturen der Welt - Berlin, Germany
            Movement Materials and What We Can Do, C21 at University of Wisconsin-Milwaukee - Milwaukee, Wisconsin 
            Movement Materials and What We Can Do, I Never Read Art Book Fair Basel, Volkshaus Basel - Basel Switzerland
            Movement Materials and What We Can Do, New York Art Book Fair, MoMA PS1 - Queens, New York
            OK.Video Festival, Galeri Nasional Indonesia - Jakarta, Indonesia
            Impakt Festival - Utrecht, the Netherlands
            A flote: Economies submergides i precarietat laboral, Sala d’Art Jove - Barcelona, Spain
            Dream Factory, ETCAMA: The Problem of Everything - Amsterdam, The Netherlands
            Dream Factory, Art Dubai - Dubai, UAE
            Dream Factory, Import Projects - Berlin, Germany
            Dream Factory, FACT - Liverpool, England  
2012   Sidewalk Stories - Images Festival - Toronto, Ontario
            Made in America - San Francisco International Film Festival - San Francisco, California
            Movement Materials and What We Can Do, Parsons The New School for Design - New York, New York
            Movement Materials and What We Can Do, ZERO1 Biennial - Sausalito, California
            Movement Materials and What We Can Do, American Medium - New York, New York
            Movement Materials and What We Can Do, Images Festival/Art Metropole - Toronto, Ontario
            Movement Materials and What We Can Do, Reed College - Portland, Oregon
            INDUSTRIAL on tour, Goethe-Institute (Max Mueller Bhavan) - Kolkata, India
            Gross World Product, tank.tv - London, England
            Image Employment: Overtime, MoMA PS1 Sunday Session - Queens, New York
            Pictures in Motion, Berwick Film & Media Arts Festival - Berwick-upon-Tweed, UK
            Video Vortex, Museum of Contemporary Art Zagreb - Zagreb, Croatia
            ASPECT EZ: txt + img, ASPECT - Boston MA
            Artefact Festival, STUK Arts Centre - Lueven, Belgium
            Speechless, Museum of Contemporary Photography - Chicago, Illinois
            Lumiere and After - Cornell Cinema - Ithaca, New York
2011   Lumiere and After, San Francisco Cinematheque - San Francisco, California
            BYOB Chicago, Museum of Contemporary Art - Chicago, Illinois
            Kassel Documentary Film & Video Festival - Kassel, Germany
            video_dumbo, DUMBO Arts Center - Brooklyn, New York
            ATA Film & Video Festival - San Francisco, California
            Urban Research on Film, Directors Lounge - Berlin, Germany
            Video Task Screening, Get Friday Office – Bangalore, India

SELECT GROUP EXHIBITIONS

2017   Techne, Kunstlerhaus Stuttgart + Theater Rampe - Stuttgart, Germany (forthcoming)
            Biennale Internationale Design Saint-Etienne - Saint-Etienne, France (forthcoming)
            Transmissions from the Etherspace, La Casa Encendida - Madrid, Spain (forthcoming)
2016   Dreamlands, Whitney Museum of American Art - New York, New York
            Gwangju Biennial - Gwangju, South Korea
            Bucharest Biennial - Bucharest, Romania
            Berlin Biennial - Berlin, Germany
            Moscow International Biennale for Young Art - Moscow, Russia
            Bread and Roses, Museum of Modern Art Warsaw - Warsaw, Poland
            Scissors Cut Paper Wrap Stone, CCA Derry~Londonderry - Londonderry, Northern Ireland
            Roy da Prince, Centre For Contemporary Art Futura - Prague, Czech Republic
            Kosmos, KevinSpace - Vienna, Austria
2015   On Sweat, Paper and Porcelain, CCS Bard - Annandale-on-Hudson, New York
            Occupational Therapy, Contemporary Art Museum St. Louis - St. Louis, Missouri
            Office Space, Yerba Buena Center for the Arts - San Francisco, California
            Carlos Reyes, White Flag Projects - St. Louis, Missouri
            National Gallery 2: Empire, CHEWDAY's - London, England
            Feeling of Dread, Parisian Laundry - Montreal, Canada
            Abject, Import Projects - Berlin, Germany
            Aufloesung/ Neuordnung, D21 - Leipzig, Germany
            HPSCHD 1969>2015, Bologna Museum of Modern Art - Bologna, Italy
            THE PAIN QUOTIDIAN., HQHQ Project Space - Portland, Oregon
2014   Scars of Our Revolution, Yvon Lambert - Paris, France
            Dreams That Money Can't Buy, MAXXI - Museo delle Arti del XXI secolo - Rome, Italy
            Art Post Internet, Ullens Center for Contemporary Art - Beijing, China
            Nice Work If You Can Get It, Gallery 400 - Chicago, Illinois
            RRBGGGRWW (polysemes), Grand Century - New York, New York
            Once upon a Time, There Was the End, Center for Book Arts - New York, New York
2013   Image Employment - MoMA PS1 - Queens, New York
            FACELESS, MuseumsQuartier Wien - Vienna, Austria
            Time & Motion, FACT - Liverpool, England
            To Look Is To Labor (three person show with Harun Farocki and Lucy Raven), CCS Bard/Basilica Hudson - Hudson, New York
            Palazzo Peckham, 55th Venice Biennale - Venice, Italy
            Brand Innovations for Ubiquitous Authorship, Carroll / Fletcher, London, England
            Something More Than A Succession of Notes, Bétonsalon - Paris, France
            Transmediale, Haus der Kulturen der Welt - Berlin, Germany
2012   what we watch, COFAspace Gallery, UNSW College of Fine Arts - Sydney, Australia
            Young Artists Biennial - Bucharest, Romania
            Calibration Shift, Third Party Gallery - Cincinnati, Ohio
            Brand Innovations for Ubiquitous Authorship, Higher Pictures - New York, New York
            Dependent Art Fair, The Comfort Inn - New York, New York
            Net Video, Black Box - Givon Gallery - Tel Aviv, Israel
            Peer One, Walters Art Museum - Baltimore, Maryland
2011   Target Language, 937/Fourteen30 Contemporary - Portland, Oregon
            Ethnographic Terminalia, Eastern Bloc Centre for New Media - Montreal, Canada
            Y53K, ARTifact Gallery at UC San Diego - La Jolla, California
            SAIC MFA Thesis Exhibition, Wabash Galleries - Chicago, Illinois
            Stories of Relativity, Sullivan Galleries at the School of the Art Institute of Chicago - Chicago, Illinois

RESIDENCIES AND AWARDS

2016   Techne - Kunstlerhaus Stuttgart and Theater Rampe - Stuttgart, Germany
2015   Akademie Schloss Solitude Fellowship - Stuttgart, Germany
            Starcom Mediavest Group Artist in Residence - Chicago, Illinois
2013   Impakt Artist in Residence- Utrecht, Netherlands
2012   Headlands Center for the Arts Artist in Residence - Sausalito, California
            San Francisco International Film Festival Golden Gate Award
            Illinois Arts Council Artist Project grant
2011   Dedalus Foundation Master of Fine Arts Fellowship
            SAIC MFA Fellowship
2010   Interactive Screen 1.0 Scholarship Intensive - Banff Center - Alberta, Canada

PERFORMANCES + LECTURES

2017   The Artist Leaving the Googleplex, de Appel Arts Centre - Amsterdam, Netherlands
            The Artist Leaving the Googleplex, Cooper Union - New York, New York
2016   The Artist Leaving the Googleplex, Interlink Visiting Artist Series at the School of the Art Institute of Chicago - Chicago, Illinois
            The Artist Leaving the Googleplex, Visiting Artist Lecture Series at UCLA - Los Angeles, California
            Love and Truth panel (with Travis Diehl, Jibz Cameron, and Kevin McGarry), Art Los Angeles Contemporary - Los Angeles, California
2015   Image Employment, Centre Pompidou, Bibliothèque Kandinsky - Paris, France
            »(Re)Constructing Authorship«, Akademie Schloss Solitude - Stuttgart, Germany
            Artificial Selection, Zürcher Hochschule der Künste - Zurich, Switzerland
            Artificial Selection, Staatliche Akademie der Bildenden Künste Stuttgart - Stuttgart, Germany
            Lie Down Comedy, Shanaynay - Paris, France
            Gross World Product, Academy of Fine Arts Finland - Helsinki, Finland
2014   Image Employment, Harvard University - Cambridge, Massachusetts
            Art Basel Salon | Discussion | Art & Commerce (with Christopher Kulendran Thomas and Melanie Bühler - Basel, Switzerland
            Gross World Product, Oberlin College - Oberlin, Ohio
2013   Gross World Product, Oxford University - Oxford, England
            Gross World Product, Nottingham Trent University - Nottingham, England
            Image Employment, FACT - Liverpool, England
            Gross World Product, California Institute of the Arts - Los Angeles, California
            Gross World Product
, Bruce High Quality Foundation University - New York, New York
            Image Employment: Overtime
, MoMA PS1 Sunday Session - Queens, New York
            Stock Fantasy Ventures Investor Meeting
, Palazzo Peckham, 55th Venice Biennale - Venice, Italy
            Stock Fantasy Ventures Investor Meeting
, Impakt Headquarters - Utrecht, Netherlands
            The Photographic Universe II
, Parsons The New School for Design - New York, New York
             Artie Vierkant's Art Now course at New York University - New York, New York
            Lie Down Comedy, Rhizome Benefit, New Museum - New York, New York
2012   Company Safety, Silvershed Gallery - New York, New York
            University of Colorado Boulder - Boulder, Colorado
2011   Verbindingen/Jonctions 13 - Brussells, Belgium
            Virtual Assistance Meeting - Hyperallergic Headquarters - Brooklyn, New York
            Open Engagement Conference - Portland State University - Portland, Oregon
            Double Feature Lecture with Nick Bastis - Mess Hall - Chicago, Illinois
            Virtual Assistance Meeting - Extra Extra - Philadelphia, Pennsylvania
2010   Virtual Assistance Meeting - Sullivan Galleries - Chicago, Illinois
            InCUBATE Public Culture 3: Virtual Assistance Meeting - threewalls gallery - Chicago, Illinois
            Interactive Screen 1.0 - Banff Center - Alberta, Canada
            Dan Price's Concepts/Materials/Processes Course - School of the Art Institute of Chicago
2009   Liisa Robert's Graduate Media Seminar - Academy of Fine Arts Finland

PUBLICATIONS, MEDIA, AND PRESS

Chris Fite-Wassilak "Let's Get Cynical" Art Review, 3/22/17 (Feature)
Viktoria Draganova "Double Feature Conversation" Schirn Kunsthalle Frankfurt, 1/25/17 (Video Interview)
Artsy Editorial "The Top Emerging Artists of 2016" Artsy Magazine, 12/14/16 (Feature)
Daniel Urban "Double Feature: Andrew Norman Wilson" Schirn Mag, 11/25/16 (Feature)
Alexander Provan. "The Eleventh Gwangju Biennale" 4Columns, 10/07/16 (Review)
Andrew Norman Wilson. “500 Words” Artforum, September 2016 (Feature)
Andrew Norman Wilson. “The Artist Leaving the Googleplex” e-flux journal, June 2016 (Feature)
Sabrina Tarasoff. "Glass Houses" X-TRA Contemporary Art Quarterly, Fall 2016 (Review)
Orit Gat. "Andrew Norman Wilson at Rowing" ArtReview, March 2016 (Review)
Andrew Norman Wilson. "ScanOps" in Fantasies of the Library, edited by Anna-Sophie Springer and Etienne Turpin, Cambridge: MIT Press, 2016 (Feature)
John Chiaverina. "Bankable" ARTnews, 01/20/16 (Review)
Andrew Norman Wilson. "Starcom Mediavest Recognitions" X-TRA Contemporary Art Quarterly, Winter 2015 (Feature)
Alexandra Bondi de Antoni "abjects“ untersucht die verletzbarkeit der echten welt im digitalen zeitalter" i-D Magazine, 09/16/2015 (Article)
Andrew Norman Wilson "Styles and Customs in the 2020s" Supercommunity: e-flux journal 56th Venice Biennale, 06/10/2015 (Article)
Ionit Behar. "Andrew Norman Wilson Therapizes the Corporate World" ArtSlant, May 2015 (Review)
Barbara Casavecchia. "Material Uncertainty" Frieze, Issue 164, June-August 2014 (Review)
McKenzie Wark. "Designs for a New World" e-flux journal, October 2014
Fiona Duncan. "Nine Publishers to Visit at the New York Art Book Fair" T: The New York Times Style Magazine, 09/25/14
Alex Ross and Andrew Norman Wilson. cura., Summer 2014 (Letter and Cover)
Nick Irvin. "Corporate Aesthetics: Andrew Norman Wilson" Art in America, May 21, 2014 (Interview)
Bianca Stoppani. "Andrew Norman Wilson" Kaleidescope, Winter 2014 (Feature)
Shama Khanna. "Under the Skin" Kaleidescope, Winter 2014 (Article)
Olivia Solon. "Artist reveals disembodied workers scanning books for Google" Wired Magazine UK, 01/17/14 (Feature)
Kenneth Goldsmith. "The Art of Google Books" The New Yorker, 12/05/13 (Feature)
Zing Tsjeng. "Into the Googleplex" Dazed Digital, 12/2/2013 (Interview)
Daniel C. Blight. "An Interview with Andrew Norman Wilson" Photographers Gallery blog, 11/25/13 (Interview)
Andrew Norman Wilson. “Stock Fantasy Ventures Investment Proposal” DIS Magazine, 9/8/12 (Feature)
Amy Knight. "Interview with Andrew Norman Wilson" Dazed Digital, 8/1/2013 (Interview)
DIS Magazine. "Stock Fantasy Ventures at Palazzo Peckham" DIS Magazine, 5/28/2013 (Feature)
Laurel Ptak. “Interview with Andrew Norman Wilson” Aperture Magazine, Spring 2013 (Interview)
Christabel Stewart and Ajay R.S Hothi. "Of Stuff and Dreams" Tank Magazine, Spring 2013 (Feature)
James Michael Shaeffer, Jr. "Interview with Andrew Norman Wilson" Elena Michael, Spring 2013 (Interview)
Jean Kay. "Interview with Andrew Norman Wilson" aqnb, 2/26/13 (Interview)
Alex Pasternack. “ECCO The Dolphin’ as a Psychedelic Screensaver” Motherboard, 2/15/13 (Feature)
Tony Ponce. “Ecco the Dolphin’s music was never this bizarre” Destructoid, 2/13/13 (Feature)
Jed Perl. "Photography in an Age of Smartphones" The New Republic, 2/14/13 (Feature)
Sabine Weier. "Das Google Klassensystem" der Freitag, 2/2/13 (Interview)
Matthew Fuller. "Several Repititions on the Nature of the Copy" Concreta Journal, Fall 2012 (Article)
Steven L. Bridges. "GL(ITCH): ScanOps" Independent Curators International, 9/19/12 (Feature)
Daniel Quiles. "Andrew Norman Wilson: ScanOps" Artforum, 06/12, (Feature)
Jovana Jankovic. "Orientations and Identities" Afterimage, Vol 40. No. 1 (Review)
Steven L. Bridges. "gl(itch)" Independent Curators International, 5/24/12 (Feature)
Amar Toor. "Artist turns 'Ecco the Dolphin' into psychedelic art installation" The Verge, 5/24/12 (Feature)
Reyhan Harmanci. "The Hidden Hands Scanning The World's Knowledge For Google" Buzzfeed, 5/19/12 (Feature)
Louis Doulas. "Art from Outside the Googleplex: An Interview with Andrew Norman Wilson" Rhizome, 5/14/12 (Interview)
Robert Kedzierski, "Google przenosi ksiazki do Internetu - artysta widzi w tym dzielo sztuki" Gazeta.pl Technologie. 3/23/12 (Feature)
Martin Bryant. "Google Books scanning errors turned into works of art" The Next Web, 3/23/12 (Feature)
David G. Ortiz. "Este joven transforma en arte los errores de escaneo en Google Books" http://lainformacion.com, 3/18/12 (Feature)
Paul Estrada. "Errores de escaneo en Google Books se convierten en exposicion fotografica" FayerWayer. 3/18/12 (Feature)
Andrew Rosinski. "ScanOps And Workers Leaving the Googleplex" DINCA, 2/28/12 (Feature)
Hannah Daly. "The Best is Yet to Come" ArtSlant, 1/02/2012 (Review)
Courtney R. Thompson. "The Economies of Transparency" ArtSlant, 11/22/2011 (Review)
Dijana Kadic. "Andrew Norman Wilson: Pushing the Buttons of Corporate America" f Newsmagazine, 11/22/11 (Feature)
James H. Miller. "Notes From the Indie Underground" San Francisco Bay Guardian, 10/19/11 (Review)
Andrew Norman Wilson. "How To Create A Color-Coordinated Site of Relaxation and Bodily Engagement in a Large Scale Exhibition, Airport, Hotel, Mall, Bank, Spa, or Biennial" art:21 blog, 9/14/11 (Feature)
Andrew Norman Wilson. "Why is the No Video Signal Blue?" Pool, August 2011 (Feature)
Veken Gueyikian. "Join Us on Wed Aug 17 to Discuss Outsourcing Art" Hyperallergic, 7/10/11 (Feature)
Nicholas O'Brien "Conversation with Andrew Norman Wilson" Bad At Sports, 7/28/11 (Interview)
Kimberly Brooks. "SAIC 2011 MFA Sculpture Grads" Huffington Post, 6/17/11 (Feature)
Reyhan Harmaci. "Artist Reveals Google's Caste System" The Bay Citizen, 5/10/11 (Feature)
Xavier de la Porte. "Travailleurs quittant le complexe Google" internet ACTU, 5/9/11 (Feature)
Pascal-Emmanuel Gobry. "At Google, Talking to Coworkers Can Get You Fired" Business Insider, 4/30/11 (Feature)
Brian Barrett. "Google's Secret Class System" Gizmodo, 4/30/11 (Feature)
Wetter. "Tag der Arbeit: Googles View-Klassen-Gesellschaft" Netzpolitik, 5/1/2011 (Feature)
Barry Schwartz "Does Google Have a Class System for Googlers?" Search Engine Land, 5/2/11 (Feature)
Gregg Dourgarian "The Secret Story of Google's Contingent Workers" Staffing Talk, 4/30/11 (Feature)
Andrew Norman Wilson. "The Virtual Assistance Project" Get Friday blog, 4/1/11 (Feature)
Sunder P. "Pushing the Frontiers of Exploration" Get Friday blog, 4/1/11 (Feature)
Matthew Newton. "A Tale of Two Googles " Thought Catalog, 3/17/11 (Feature)
Andrew Norman Wilson. "Virtual Assistance" Media Fields Journal, Issue 2 (Interview)
Roberta Fallon. "Virtual Assistance' Humanizes Outsourcing" Philadelphia Weekly, 1/19/11 (Review)
Holly Otterbein. "First Friday Focus" Philadelphia City Paper, 1/15/11 (Preview)
Andrew Norman Wilson. "Virtual Assistance - My Thoughts" Post-Human // Future Tense Essays (Feature)
Andrew Norman Wilson. "Virtual Assistance - My Thoughts" Rubric Journal, Summer 2010 (Feature)
DeWitt Cheng. "Mirror Made Me" East Bay Express, 3/3/10 (Review)
Andrew Norman Wilson. "Urban Farming, a Bit Closer to the Sun" New York Times, 6/16/09 (Photo)
Andrew Norman Wilson. "Virtual Assistant Project" Otherzine, Spring 2009 (Feature)
Andrew Norman Wilson. "The Obscene Excesses of Capitalism" Otherzine, Fall 2008 (Feature)
Andy Ritchie. "HUM" Artslant, 7/27/08 (Review)
Andrew Norman Wilson. "Emergency : The Living Theater" Arthur Magazine, August 2007 (Review)
Amy Glasenapp. "Alternatives of Alternatives" San Francisco Bay Guardian, 11/7/2007 (Review)